Cinema Photography


HDDSLR Cinema with Vincent Laforet: 10:00 am – Introduction: Still Photos vs Video


Photography and Cinema (Reaktion Books - Exposures)


Photography and Cinema (Reaktion Books – Exposures)


$15.80


What did the arrival of cinema do for photography? How did the moving image change our relation to the still image? Why have cinema and photography been so drawn to each other? Close-ups, freeze frames and the countless portrayals of photographers on screen are signs of cinema’s enduring attraction to the still image. Photo-stories, sequences and staged tableaux speak of the deep influence of ci…

Photography, Cinema, Memory: The Crystal Image of Time


Photography, Cinema, Memory: The Crystal Image of Time


$16.66


Cinema and photography are both intimately associated with time—cinema with time in passing, the photograph with the lost moment. In Photography, Cinema, Memory, Damian Peter Sutton explores time in both media to present a radical new understanding of the photographic image as always coming into being.Drawing on Gilles Deleuze’s concept of the crystal image to move beyond the tropes of immobil…

Still Moving: Between Cinema and Photography


Still Moving: Between Cinema and Photography


$19.07


In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in cont…

Camera Pistol Grip


Camera Pistol Grip


$18.29


For Sale is a P&C Pistol Grip Camera Handle with Wide Platform Grip has a standard 1/4″ tripod screw that screws directly into your camera’s tripod socket A Wide Platform provides sturdy support for Photo or Video shooting. Grip is very strong yet lightweight and has a soft ergonomic finger hold that is comfortable to use. The included threaded D-Ring (at bottom of grip) allows the Handle to be at…

Photography & Cinema PNC GearBox Cage GB-1 for DSLR


Photography & Cinema PNC GearBox Cage GB-1 for DSLR


$99.99


The P&C GearBox was designed to provide mounting options for the growing number of accessories needed for todays small video camera shooter. The new GearBox can support a full size Canon 5D Mark II inside of the cage without using the included extension adapters. With the extension adapters installed, the GearBox can support the Canon DSLR plus a Quick Release Adapter, or larger camera bodies.

Th…


Authentic PNC P&C DSLR Camera GearBox GB-2 Video Accessory Cage w/ 15mm Rod


Authentic PNC P&C DSLR Camera GearBox GB-2 Video Accessory Cage w/ 15mm Rod


$149.95


The P&C GearBox was designed to provide mounting options for the growing number of accessories needed for todays small video camera shooter. The new GearBox can support a full size Canon 5D Mark II inside of the cage without using the included extension adapters. With the extension adapters installed, the GearBox can support the Canon DSLR plus a Quick Release Adapter, or larger camera bodies.

Th…


Tin Sign Jorgensen Photography Photo images popcorn cinema ticket movie ticket movie 20x30 cm Large Metal Wall Decoration Vintage Retro Classic Plaque


Tin Sign Jorgensen Photography Photo images popcorn cinema ticket movie ticket movie 20×30 cm Large Metal Wall Decoration Vintage Retro Classic Plaque


$9.90


Looking for a decoration or an individualised present? Browse hundreds of different nostalgic and modern themes. Treat yourself or your friends with a decorative reminder of the good old times and get a real eye-catcher for your home. We always have a suitable motiv in store whether it is for your living room, kitchen, bathroom, garage or work-place. Our high quality tin-plate signs are printed in…

Tin Sign Jorgensen Photography photo images The End movie cinema curtain red 20x30 cm Large Metal Wall Decoration Vintage Retro Classic Plaque


Tin Sign Jorgensen Photography photo images The End movie cinema curtain red 20×30 cm Large Metal Wall Decoration Vintage Retro Classic Plaque


$9.90


Looking for a decoration or an individualised present? Browse hundreds of different nostalgic and modern themes. Treat yourself or your friends with a decorative reminder of the good old times and get a real eye-catcher for your home. We always have a suitable motiv in store whether it is for your living room, kitchen, bathroom, garage or work-place. Our high quality tin-plate signs are printed in…

Tin Sign Jorgensen Photography Photo images popcorn red white cinema mirror 20x30 cm Large Metal Wall Decoration Vintage Retro Classic Plaque


Tin Sign Jorgensen Photography Photo images popcorn red white cinema mirror 20×30 cm Large Metal Wall Decoration Vintage Retro Classic Plaque


$9.90


Looking for a decoration or an individualised present? Browse hundreds of different nostalgic and modern themes. Treat yourself or your friends with a decorative reminder of the good old times and get a real eye-catcher for your home. We always have a suitable motiv in store whether it is for your living room, kitchen, bathroom, garage or work-place. Our high quality tin-plate signs are printed in…

Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)


Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)


$899.00


With the new EOS 60D DSLR, Canon gives the photo enthusiast a powerful tool fostering creativity, with better image quality, more advanced features and automatic and in-camera technologies for ease-of-use. It features an improved APS-C sized 18.0-megapixel CMOS sensor for tremendous images, a new DIGIC 4 Image Processor for finer detail and excellent color reproduction, and improved ISO capabiliti…

Photography and Cinema


Photography and Cinema


$23.12


What did the arrival of cinema do for photography? How did the moving image change our relation to the still image? Why have cinema and photography been so drawn to each other? Close-ups, freeze frames and the countless portrayals of photographers on screen are signs of cinema’s enduring attraction to the still image. Photo-stories, sequences and staged tableaux speak of the deep influence of cinema on photography. Photography and Cinema a considers the importance of the still image for filmmakers such as the Lumiere brothers, Alfred Hitchcock, Michelangelo Antonioni, Jean-Luc Godard, Chris Marker, Mark Lewis, Agnes Varda, Peter Weir, Christopher Nolan and many others. In parallel it looks at the cinematic in the work of photographers and artists that include Germaine Krull, William Klein, John Baldessari, Jeff Wall, Victor Burgin and Cindy Sherman. From film stills and flipbooks to slide shows and digital imaging, hybrid visual forms have established an ambiguous realm between motion and stillness. David Campany assembles a missing history in which photography and cinema have been each other’s muse and inspiration for over a century.

Photography, Cinema, Memory


Photography, Cinema, Memory


$75


Cinema and photography are both intimately associated with time—cinema with time in passing, the photograph with the lost moment. In Photography, Cinema, Memory, Damian Peter Sutton explores time in both media to present a radical new understanding of the photographic image as always coming into being.Drawing on Gilles Deleuze’s concept of the crystal image to move beyond the tropes of immobility, stasis, and death, Sutton’s analysis reveals the open-endedness of time expressed in the photograph, either as a potential for an abundant future or as a depth of meandering remembrance. He presents an innovative taxonomy of time in the photograph, considering particular representations of time in the work of Nan Goldin, Eugène Atget, Andy Warhol, and others. He contrasts this taxonomy with representations of time in cinema since 1895, offering fresh readings of the films of the Lumière brothers and Mitchell & Kenyon, as well as more recent works including Eternal Sunshine of the Spotless Mind, Amélie, and A Matter of Life and Death. Throughout this work, Sutton connects and grounds cinema and photography as starting points to comprehend how we come to terms, ultimately, with time itself as pure, immanent change.

Photography, Early Cinema and Colonial Modernity


Photography, Early Cinema and Colonial Modernity


$99


This volume is an account of the stage and screen practice of Australian photographer and film maker Frank Hurley, in the context of early twentieth-century mass media.

Still Moving: Between Cinema and Photography


Still Moving: Between Cinema and Photography


$27.94


In "Still Moving" noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. "Still Moving" suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily "inter"disciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become. "Contributors": George Baker, Rebecca Baron, Karen Beckman, Raymond Bellour, Zoe Beloff, Timothy Corrigan, Nancy Davenport, Atom Egoyan, Rita Gonzalez, Tom Gunning, Louis Kaplan, Jean Ma, Janet Sarbanes, Juan A. Suarez

Cinema Southwest


Cinema Southwest


$4.95


In Cinema Southwest, John A. Murray has compiled an extensive list of box office hits that were filmed throughout the Southwest. From Stagecoach to Thelma and Louise to Star Wars the author discusses the significance of the landscapes, the literature related to the films, and the behind-the-scenes personalities that were so influential in Western filmmaking. An invaluable reference book and trip planner, this book is packed with interesting facts, stunning photography, and provides directions to the film sites.

Japanese Cinema


Japanese Cinema


$22.82


Exploring the work of the greatest Japanese filmmakers Until recently, the western world has viewed Japanese cinema through a very narrow prism. For years, Westerners interested in Japanese film had to content themselves with the collected works of Akira Kurosawa, a spotty sampling of films by Kenji Mizoguchi and Yasujiro Ozu, gobs of anime, and badly dubbed monster movies. Many great filmmakers like Mikio Naruse and Keisuke Kinoshita have remained unknown in the West, and Japanese musicals and comedies are hardly known outside Asia. This volume sets the record straight, illustrating an in-depth history of Japanese cinema with vivid posters and stunning photography.

Photography & Cinema Pico Dolly for Video - PC-PD1


Photography & Cinema Pico Dolly for Video – PC-PD1


$73.98


The very affordable Pico Dolly gives a stable platform for smaller video productions. Made of aluminum and roller blade type wheels with high quality ball bearings the 312 inch wide dolly features three 1420 female thread positions for mounting optional b

Sound Technology and the American Cinema


Sound Technology and the American Cinema


$28.99


Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect. Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film. Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.

Dali, Surrealism and Cinema


Dali, Surrealism and Cinema


$13.99


One of the most widely recognized and controversial artists of the 20th century, Salvador Dal was also an avant-garde filmmaker, collaborating with such giants as Luis Buuel, Walt Disney, and Alfred Hitchcock. Influenced by the Marx Brothers, Buster Keaton, and Stanley Kubrick, Dal used the cinema to bring the “dream subjects” of his paintings to life, providing the groundwork for revolutionary forays into television, video, photography, and holography. From a moviegoing experience that would incorporate all five senses to the tale of a woman’s hapless love affair with a wheelbarrow, Dal’s hallucinatory vision never fails to leave its indelible mark, while his writings continue to be relevant to discourses surrounding film and surrealism.

Window Shopping: Cinema & the Postmodern


Window Shopping: Cinema & the Postmodern


$28.94


Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema’s role in postmodern culture. She explores the ways in which nineteenth-century visual experiences–photography, urban strolling, panorama and diorama entertainments–anticipate contemporary pleasures provided by cinema, video, shopping malls, and emerging "virtual reality" technologies. Comparing the visual practices of shopping, tourism, and film-viewing, Friedberg identifies the experience of "virtual" mobility through time and space as a key determinant of postmodern cultural identity. Evaluating the theories of Jameson, Lyotard, Baudrillard, and others, she adds critical insights about the role of gender and gender mobility in the configurations of consumer culture. A strikingly original work, "Window Shopping" challenges many of the existing assumptions about what exactly "post"modern is. This book marks the emergence of a compelling new voice in the study of contemporary culture.

Cinema


Cinema


$74.99


Irena Orlov Cinema – Premium Giclee Print

Film and Attraction: From Kinematography to Cinema


Film and Attraction: From Kinematography to Cinema


$33.99


Establishing a new vision for film history, "Film and Attraction: From Kinematography to Cinema" urges readers to consider the importance of complex social and cultural forces in early film. Andre Gaudreault argues that Edison and the Lumieres did not invent cinema; they invented a device. Explaining how this device, the kinematograph, gave rise to cinema is the challenge he sets for himself in this volume. He highlights the forgotten role of the film lecturer and examines film’s relationship with other visual spectacles in fin-de-siecle culture, from magic sketches to fairy plays and photography to vaudeville. In reorienting the study of film history, Film and Attraction offers a candid reassessment of Georges Melies’ rich oeuvre and includes a new, unabridged translation of Melies’ famous 1907 text "Kinematographic Views." A foreword by Rick Altman stresses the relevance of Gaudreault’s concerns to Anglophone film scholarship.

The Cinema 4D R8 Handbook [With CDROM]


The Cinema 4D R8 Handbook [With CDROM]


$16.02


Cinema 4D is known worldwide as one of the most powerful and diverse animation and rendering applications available. Cinema4D R8/8.1 is a major upgrade, with a multitude of new functions and modifications that can be dizzying to get through. With The Cinema 4D R8 Handbook, however, you’ll get up to speed quickly. The book has been completely updated to cover the major new functions and provide hands-on methods for analyzing the many new tools. Using a project-based approach, you’ll be creating impressive projects as you learn. Beginning with the general tools and tool layout, you’ll learn how to customize the tools to create a work environment conducive to your workflow, including where to start, how to start, and when to finish. Then the real fun begins with the modeling tools. Modeling is covered, from primitive methods and NURBS, to object creation, polygon creation, and NURBS editing. Next you’ll put C4D’s powerful texture capabilities to work and discover how they function, when they should be used, and what types of effects can be created with simple textures. From there, the all-important issues of cinematography and how to control the camera within C4D are explored. In the same chapter, you’ll learn about the often ignored area of lighting and lighting theory, by using lessons from the areas of photography and theatre. Moving along, you’ll explore the complex and powerful animation tools, including timeline, F-curves, tangents, and Beziers. You’ll find out how to use new timeline tools as well as when, where, and why to use them. Young or old, novice or experienced, amateur or professional; The Cinema 4D R8 Handbook will provide you with the tools, techniques, and tricks toincrease your productivity, workflow, and the quality of your work with C4D.

Constructing the Image of the Mexican Revolution: Cinema and the Archive


Constructing the Image of the Mexican Revolution: Cinema and the Archive


$31.65


With a cast ranging from Pancho Villa to Dolores del Rio and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico’s twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution’s timeline (1910-1917) corresponds with the emergence of media culture and modernity. Drawing on twelve foundational films from Que Viva Mexico (1931-1932) to And Starring Pancho Villa as Himself (2003), Pick proposes that cinematic images reflect the image repertoire produced during the revolution, often playing on existing nationalist themes or on folkloric motifs designed for export. Ultimately illustrating the ways in which modernism reinvented existing signifiers of national identity, Constructing the Image of the Mexican Revolution unites historicity, aesthetics, and narrative to enrich our understanding of Mexicanidad.

Ingmar Bergman Revisited: Performance, Cinema and the Arts


Ingmar Bergman Revisited: Performance, Cinema and the Arts


$31.45


Ingmar Bergman Revisited is a collection of new essays based on a major international symposium held in Stockholm in 2005 on the legacy of one of cinema’s most towering figures. Moving beyond simple auteurist readings of Bergman as a cinematic artist, the writings here evaluate the theatrical and literary sides of Bergman’s work to reconsider the achievements of the Swedish director, up to his last film "Saraband" (2003). Several essays result from research in Bergman’s own personal archive, and amongst the subjects discussed are Bergman’s stage adaptations of Shakespeare, his fascination with still photography and issues of identity, and the influence of philosophy and psychology on his work. With contributors including Thomas Elsaesser, Birgitta Steene and Janet Staiger, and a foreword written by Liv Ullmann, Ingmar Bergman Revisited forms a landmark study of one of Sweden’s great cultural icons, emphasising how Bergman should be understood with reference to an eclectic range of his artistic interests.

The Age of Gold: Dali, Bunuel, Arataud: Surrealist Cinema


The Age of Gold: Dali, Bunuel, Arataud: Surrealist Cinema


$24.05


Spiralling out of the Surrealist movement alongside the art, photography and manifestos, were a number of experimental films, notably Salvador Dali and Luis Bunuel’s "Un Chien Andalou "and "L’Age d’Or." "The Age of Gold "revisits these two seminal films and explores their making, themes and images, the scandal and riots that accompanied their release, and their impact and influence on modern-day cinema. Fully illustrated throughout, "The Age of Gold "also documents the cinematic theories of Antonin Artaud and traces the parallels in avant-garde and Dadaist film-including the work of Hans Richter, Marcel Duchamp and Man Ray. Robert Short is a lecturer at the -University of East Anglia, England. Previous publications include "Hans Bellmer, Surrealism: Permanent Revelation "and "Dada & Surrealism."

Actual Treatments: Performative Realism in American Independent Cinema, 1949-70.


Actual Treatments: Performative Realism in American Independent Cinema, 1949-70.


$80.79


In this project, I provide a detailed visual analysis of a selection of postwar films (1949–1970), many of which are associated with the New York based movement of the New American Cinema. These films challenge the conventions of both fiction and documentary filmmaking by incorporating elements from each distinct form to create a new hybrid form which I classify as performative realist cinema. Films to be studied include Jim McBride’s David Holzman’s Diary, Milton Moses Ginsburg’s Coming Apart, Shirley Clarke’s The Connection and Portrait of Jason, Norman Mailer’s Wild 90, Beyond the Law and Maidstone, William Greaves’s Symbiopsychotaxiplasm: Take One and Agnes Varda’s Lions Love. To establish the significance and recognize the accomplishment of these films, I trace the historical development of performative realism beginning with its origins in 1930s leftist photography and documentary filmmaking. I conclude with a reflection on the long-term impact of this style of filmmaking and consider its influence on contemporary film and television culture. I have selected these films because they foreground performance as a central concern in nonfiction representation. While definitions of performance vary greatly, one consistent measure is whether the actions of an individual are presented to an audience. Documentary film often operates with an understanding that actions seen in a film would occur regardless of the presence of the filmmakers. Therefore, the audience is not perceived to be essential to the documentary film experience. In performative realism, performance is always a central concern. These films assert that in order to understand the truth claims of any manner of documentary representation, the frame of performance must be acknowledged and interrogated. In this project, I claim that the historical debates regarding the ontology of documentary representation in film studies will be invigorated and enriched by a close examination and recognition of the role of performance within this select group of performative realist films as well as the larger body of work collectively classified as nonfiction film.

A Social History of Iranian Cinema, Volume 1: The Artisanal Era, 1897-1941


A Social History of Iranian Cinema, Volume 1: The Artisanal Era, 1897-1941


$32.46


Hamid Naficy is one of the world’s leading authorities on Iranian film, and "A Social History of Iranian Cinema" is his magnum opus. It is astonishing in its breadth and depth, covering more than a century of film history, from the late nineteenth century through the first decade of the twenty-first, and addressing not only art films but also documentaries and popular genres. Naficy’s comprehensive social history unfolds through four volumes, each of which is autonomous and can be read and appreciated on its own. Volume 1 depicts and analyzes the early years of Iranian cinema. Film was introduced in Iran in 1900, three years after the country’s first commercial film exhibitor saw the new media in Great Britain. An artisanal cinema industry sponsored by the ruling shahs and other elites soon emerged. The presence of women, both on the screen and in movie houses, proved controversial until 1925, when Reza Shah Pahlavi dissolved the Qajar dynasty. Ruling until 1941, Reza Shah implemented a Westernization program intended to unite and secularize the multicultural, multilingual, and multiethnic country. Cinematic representations of a fast-modernizing Iran were encouraged, the veil was outlawed, and dandies flourished. At the same time, photography, movie production, and movie houses were tightly controlled. Film production ultimately proved marginal to state formation. Only four silent feature films were produced in Iran; of the five sound features shown in the country before 1941, four were made by an Iranian expatriate in India.

Cinema Italiano


Cinema Italiano


$2.25


“(from Nine). By Maury Yeston. Arranged by Mac Huff. For Choral, Horn Ensemble, Rhythm (SAB). Pop Choral Series. 20 pages. Published by Cherry Lane Music”

Salute to the Cinema


Salute to the Cinema


$70


(Featuring: Hooray for Hollywood / Singin’ in the Rain / Over the Rainbow / As Time Goes By / A Day in the Life of a Fool). Arranged by Carl Strommen. Orchestra. Full Orchestra. Pop Concert Full Orchestra. Light Concert; Movie; Novelty. Grade 4. Conductor Score & Parts. 222 pages. Published by Alfred Music Publishing

Cinema Paradiso


Cinema Paradiso


$3.99


By Andrea Morricone and Ennio Morricone (1928-). For Piano/Keyboard. Piano Solo Sheets. 4 pages. Published by Hal Leonard

Cinema Treasures


Cinema Treasures


$99.99


Cinema Treasures Stretched Canvas Print by Keith Mallett. Product size approximately 12 x 12 inches. Available at Art.com. Embrace your Space – your source for high quality fine art posters and prints.

Cinema II


Cinema II


$27.99


Cinema II – Art Print

Cinema Projectionist


Cinema Projectionist


$29.99


Cinema Projectionist Photographic Print by Chaloner Woods. Product size approximately 18 x 24 inches. Available at Art.com. Embrace your Space – your source for high quality fine art posters and prints.

Cinema III


Cinema III


$12.99


Pela Cinema III – Art Print

Millennial Cinema


Millennial Cinema


$19.99


In spite of the overwhelming interest in the study of memory and trauma, no single volume has yet explored the centrality of memory to films of this era in a global context; this volume is the first anthology devoted exclusively to the study of memory in twenty-first century cinema. Combining individual readings and interdisciplinary methodologies, this book offers new analyses of memory and trauma in some of the most discussed and debated films of the new millennium: Pan’s Labyrinth (2006), The Namesake (2006), Hidden (2005), Eternal Sunshine of the Spotless Mind (2004), Oldboy (2003), City of God (2002), Irreversible (2002), Mulholland Drive (2001), Memento (2001), and In the Mood for Love (20000).

Cinema and Fascism


Cinema and Fascism


$65


This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly “Fascist.” Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history.

Sanctuary Cinema


Sanctuary Cinema


$65


Winner of the Religious Communication Association Book of the Year Award for 2008. Sanctuary Cinema provides the first history of the origins of the Christian film industry. Focusing on the early days of film during the silent era, it traces the ways in which the Church came to adopt film making as a way of conveying the Christian message to adherents. Surprisingly, rather than separating themselves from Hollywood or the American entertainment culture, early Christian film makers embraced Hollywood cinematic techniques and often populated their films with attractive actors and actresses. But they communicated their sectarian message effectively to believers, and helped to shape subsequent understandings of the Gospel message, which had historically been almost exclusively verbal, not communicated through visual media. Despite early successes in attracting new adherents with the lure of the film, the early Christian film industry ultimately failed, in large part due to growing fears that film would corrupt the church by substituting an American “civil religion” in place of solid Christian values and amidst continuing Christian unease about the potential for the glorification of images to revert to idolatry. While radio eclipsed the motion picture as the Christian communication media of choice by the 1920, the early film makers had laid the foundations for the current re-emergence of Christian film and entertainment, from Veggie Tales to The Passion of the Christ .

Iranian Cinema


Iranian Cinema


$34


Recent, post-revolutionary Iranian cinema has of course gained the attention of international audiences who have been struck by its powerful, poetic and often explicitly political explorations. Yet mainstream, pre-revolutionary Iranian cinema, with a history stretching back to the early twentieth century, has been perceived in the main as lacking in artistic merit and, crucially, as apolitical in content. This highly readable history of Iran as revealed through the full breadth of its cinema re-reads the films themselves to tell the full story of shifting political, economic and social situations. Sadr argues that embedded within even the seemingly least noteworthy of mainstream Iranian films, we find themes and characterisations which reveal the political contexts of their time and which express the ideological underpinnings of a society. Beginning with the introduction of cinema to Iran through the Iranian monarchy the book covers the broad spectrum of Iran’s cinema, offering vivid descriptions of all key films. Iranian Cinema looks at recurring themes and tropes, such as the rural versus the corrupt’ city and, recently, the preponderance of images of childhood, and asks what these have revealed about Iranian society. The author brings the story up to date explaining Iranian filmmaking after the events of September 11, from Mohsen Makhmalbaf’s astonishing Kandahar to Saddiq Barmak’s angry work Osama, to explore this most recent and breathtaking revival in Iranian cinema.

Cinema and Landscape


Cinema and Landscape


$20


While the consideration of landscape on film has been growing in currency over the past four to five years, as yet no single publication has attempted to embrace the multitude of nationalities, cinematic examples and critical approaches that Cinema and Landscape encompasses. Written by reputed cinema scholars and academic innovators, this volume both extends the existing field of film studies and stakes claims to overlapping, contested territories in the art and humanities and the social sciences. The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese and Spike Lee, without New York? Cinema and Landscape frames up contemporary film landscapes across the world, in a concentrated examination and interrogation of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment.

Regarding the Cinema


Regarding the Cinema


$17.99


Regarding the Cinema: Fifteen Filmmakers and Their Films is a collection of essays on some of the most important films – and film artists – of our time. The films treated are from Italy, France, Germany, the United States, Sweden, Japan and England, by directors such as Federico Fellini, Ingmar Bergman, Jean Renoir, Michelangelo Antonioni, Woody Allen and John Schlesinger. Among the movies discussed are Tokyo Story, How We Won the War, Some Like It Hot, The Graduate, The Marriage of Maria Br…

Poetics of Cinema


Poetics of Cinema


$55.95


Bringing together twenty-five years of work on what he has called the “historical poetics of cinema,” David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects . Beginning with this central thesis, Bordwell works out a full understanding of how films channel and recast cultural influences for their cinematic purposes. With more than five hundred film stills, Poetics of Cinema is a must-have for any student of cinema.

DSLR Cinema


DSLR Cinema


$39.95


Large sensor video cameras (DSLRs) offer filmmakers an affordable, high-quality image previously impossible without high-end cinema cameras. These video-capable DSLR cameras have revolutionized filmmaking, documentary production, journalism, television, and even Hollywood cinema. This book empowers the filmmaker to craft visually stunning images inexpensively. DSLR Cinema presents insight into different shooting styles and real-world tips and techniques indispensible to any DSLR filmmaker. This updated and expanded edition includes new workflows for Adobe Premier and Final Cut X-from syncing external audio settings to using the right settings. It also covers the workflow for using Technicolor’s picture style, CineStyle, designed on consultation with Canon scientists. DSLR Cinema features case studies of an international cast of cutting edge DSLR shooters, including Philip Bloom, Shane Hurlbut, Bernardo Uzeda, Rii Schroer, Danfun Dennis, and many more. The films are examined in detail, exploring how each exemplifies great storytelling, exceptional visual character, and how you can push the limits of your DSLR.

Spiritual Cinema


Spiritual Cinema


$12.95


Would you like to discover a new world of movies that expands your mind, warms your heart, and stirs you soul? If so, this book is sure to become a valuable resource for you.

Cinema-Interval


Cinema-Interval


$36.95


“An image is powerful not necessarily because of anything specific it offers the viewer, but because of everything it apparently also takes away from the viewer.” –Trinh T. Minh-ha Vietnamese filmmaker and feminist thinker Trinh T. Minh-ha is one of the most powerful and articulate voices in independent filmmaking. In her writings and interviews, as well as in her filmscripts, Trinh explores what she describes as the “infinite relation” of word to image. Cinema-Interval brings together her recent conversations on film and art, life and theory, with Homi Bhabha, Deb Verhoeven, Annamaria Morelli and other critics. Together these interviews offer the richest presentation of this extraordinary artist’s ideas. Extensively illustrated in color and black and white, Cinema-Interval covers a wide range of issues, many of them concerning “the space between”–between viewer and film, image and text, interviewer and interviewee, lover and beloved. As an added bonus, the complete scripts of Trinh’s films Surname Viet Given Name Nam and A Tale of Love are also included in the volume. Cinema-Interval will be an essential work for readers interested in contemporary film art, feminist thought, and postcolonial studies.

Folklore/Cinema


Folklore/Cinema


$23


Interest in the conjunctions of film and folklore is stronger and more diverse than ever. Ethnographic documentaries on folk life and expression remain a vital genre, but scholars such as Mikel Koven and Sharon Sherman also are exploring how folklore elements appear in, and merge with, popular cinema. They look at how movies, a popular culture medium, can as well be both a medium and type of folklore, playing cultural roles and conveying meanings customarily found in other folkloric forms. They thus use the methodology of folklore studies to “read” films made for commercial distribution. The contributors to this book look at film and folklore convergences, showing how cinema conveys vernacular—traditional and popular—culture. Folklore/ Cinema will be of interest to scholars from many fields—folklore, film studies, popular culture, American studies, history, anthropology, and literature among them—and will help introduce students in various courses to intersections of film and culture.  

Psychoanalysis and Cinema


Psychoanalysis and Cinema


$36.95


These fifteen carefully chosen essays by well-known scholars demonstrate the vitality and variety of psychoanalytic film criticism, as well as the crucial role feminist theory has played in its development. Among the films discussed are Duel in the Sun, The Best Years of Our Lives, Three Faces of Eve, Tender is the Night, Pandora’s Box, Secrets of the Soul, and the works of Jacques Tourneur (director of The Cat People and other features).

The Cinema of Cruelty


The Cinema of Cruelty


$7.99


An amazing collection of essays from the father of film criticism. Perhaps the single most important voice of cinema in the twentieth century, André Bazin profoundly influenced the development of the scholarship that we know now as film criticism. Bazin has acutely analyzed the cinematic values of our time, extending to his international audiences "the impact of art for the understanding and discrimination of his readers." The depth and logic of his commentary has elevated film criticism to new heights. The reputation of André Bazin continues to grow as his writings are published and studied by filmmakers and filmgoers alike. Often referred to as the Edmund Wilson of film, Bazin was more than a critic. "He made me see certain aspects of my work that I was unaware of," said Luis Buñuel. "He was our conscience," wrote Jean Renoir. "He was a logician in action," echoed François Truffaut. In The Cinema of Cruelty, François Truffaut, one of France’s most celebrated and versatile filmmakers, has collected Bazin’s writings on six film "greats": Erich von Stroheim, Carl Dreyer, Preston Sturges, Luis Buñuel, Alfred Hitchcock, and Akira Kurosawa. The result is a major collection of film criticism. 2 black-and-white photographs

Cinema and Community


Cinema and Community


$95


In the first book-length study of this topic, D.W. McKiernan examines the way mainstream commercial cinema represents society’s complex relationship with the idea and practice of community in the context of rapidly changing social conditions. Films examined include Ae Fond Kiss , The Idiots and Monsoon Wedding .

Cinema Nirvana


Cinema Nirvana


$11.99


Movie fans and spiritual seekers, unite! In Cinema Nirvana , meditation teacher and award-winning film critic Dean Sluyter illuminates the hidden enlightenment teachings of Casablanca , Jaws , The Graduate , The Godfather , Memento , and ten other classic films, revealing spiritual wisdom in everything from 007′s secret weapons to the colors of the Seven Dwarfs’ eyes. So grab your popcorn, sit back, and prepare to have your mind opened. Cinema Nirvana is a funny but wise, practical but wildly entertaining guide to finding enlightenmentone movie at a time. From the Trade Paperback edition.

European Cinema


European Cinema


$32.5


A collection of essays by the acclaimed film scholar Thomas Elsaesser, written between 1968 and 2005, tracks the crisis of contemporary European cinema, faced by the Hollywood giant on the one hand, and the collapsing national cinema industries on the oth

Au Cinema


Au Cinema


$74.99


Denis Nolet Au Cinema – Framed Art Print

Cinema IV


Cinema IV


$12.99


Cinema IV Art Print by Pela . Product size approximately 11 x 14 inches. Available at Art.com. Embrace your Space – your source for high quality fine art posters and prints.

The Cinema of Canada


The Cinema of Canada


$6.3


Often overlooked and overshadowed by its North American cousin, Canadian cinema has nevertheless produced some mesmerising films and directors, including Atom Egoyan, Robert Lepage and Denys Arcand. "The Cinema of Canada" contains 24 essays, each on a different film and divides itself into three distinct categories: English-Canadian cinema; QuA(c)bec cinema; Aboriginal cinema. In so doing, it provides a fascinating historical account of the development of film and documentary traditions across the diverse national and regional communities in Canada. Among the many important films discussed are "Le DA(c)clin de l’empire amA(c)ricain" (1988), "I’ve Heard the Mermaids Singing" (1988), "Exotica" (1994), "Le Confessionale" (1995) and "Atanarjuat: The Fast Runner" (2001).

Cinema Legend


Cinema Legend


$21.99


Cinema Legend – Art Print

Cinema Pathe


Cinema Pathe


$129.99


Adrien Barrere Cinema Pathe – Framed Giclee Print

The Cinema Effect


The Cinema Effect


$16.88


Winner, Jackets and Covers Category, 2004 Association of American University Presses (AAUP) Book, Jacket, and Journal Show. It has been said that all cinema is a special effect. In this highly original examination of time in film Sean Cubitt tries to get at the root of the uncanny effect produced by images and sounds that don’t quite align with reality. What is it that cinema does? Cubitt proposes a history of images in motion from a digital perspective, for a digital audience. From the viewpoint of art history, an image is discrete, still. How can a moving image–constructed from countless constituent images–even be considered an image? And where in time is an image in motion located? Cubitt traces the complementary histories of two forms of the image/motion relationship–the stillness of the image combined with the motion of the body (exemplified by what Cubitt calls the "protocinema of railway travel") and the movement of the image combined with the stillness of the body (exemplified by melodrama and the magic lantern). He argues that the magic of cinema arises from the intertwining relations between different kinds of movement, different kinds of time, and different kinds of space. He begins with a discussion of "pioneer cinema," focusing on the contributions of French cinematic pioneers in the late nineteenth and early twentieth centuries. He then examines the sound cinema of the 1930s, examining film effects in works by Eisenstein, Jean Renoir, and Hollywood’s RKO studio. Finally he considers what he calls "post cinema," examining the postwar development of the "spatialization" of time through slow motion, freeze-frame, and steadi-cam techniques. Students of film will find Cubitt’s analyses of noncanonical films like Sam Peckinpah’s "Pat Garrett and Billy the Kid" as enlightening as his fresh takes on such classics as Renoir’s "Rules of the Game."

Bengali Cinema


Bengali Cinema


$21.22


High Quality Content by WIKIPEDIA articles Bengali cinema refers to the Bengali language filmmaking industries in the Bengal region of South Asia. There are two major filmmaking hubs in the region: one in Kolkata, West Bengal, India and one in Dhaka, Bangladesh. The history of cinema in Bengal dates back to the 1890s, when the first "bioscopes" were shown in theatres in Kolkata. Within a decade, the first seeds of the industry was sown by Hiralal Sen, considered a stalwart of Victorian era cinema when he set up the Royal Bioscope Company, producing scenes from the stage productions of a number of popular shows at the Star Theatre, Minerva Theatre, Classic Theatre. Following a long gap after Sen’s works, Dhirendra Nath Ganguly (Known as D.G) established Indo British Film Co, the first Bengali owned production company, in 1918. However, the first Bengali Feature film, Billwamangal, was produced in 1919, under the banner of Madan Theatre.

Cinema I


Cinema I


$49.99


Cinema I Giclee Print by Pela Studio. Product size approximately 18 x 24 inches. Available at Art.com. Embrace your Space – your source for high quality fine art posters and prints.

Cinema on Train


Cinema on Train


$49.99


Cinema on Train Giclee Print by . Product size approximately 18 x 24 inches. Available at Art.com. Embrace your Space – your source for high quality fine art posters and prints.

Wagner & Cinema


Wagner & Cinema


$33.94


The work of Richard Wagner is a continuing source of artistic inspiration and ideological controversy in literature, philosophy, and music, as well as cinema. In Wagner and Cinema, a diverse group of established and emerging scholars examines Wagner’s influence on cinema from the silent era to the present. The essays in this collection engage in a critical dialogue with existing studies — extending and renovating current theories related to the topic — and propose unexplored topics and new methodological perspectives. The contributors discuss films ranging from the 1913 biopic of Wagner to Ridley Scott’s Gladiator, with essays on silent cinema, film scoring, Wagner in Hollywood, German cinema, and Wagner beyond the soundtrack.

Cinema Petition


Cinema Petition


$29.99


Cinema Petition Photographic Print by . Product size approximately 18 x 24 inches. Available at Art.com. Embrace your Space – your source for high quality fine art posters and prints.

Sex & the Cinema


Sex & the Cinema


$28.99


From the sanctioned to the forbidden, the suggestive to the blatant, evocations of sex have saturated cinema with a heady distillation of fleshly passions. Whether laced in the rapturous rhetorics of romance or seeking to pack a harder erotic punch, cinematic representations of sex and sexual desire have provided cinema with one of its major attractions. Sex and the Cinema traces the numerous factors and contexts — artistic, institutional, political and socio-cultural — that have shaped the way that sex appears in film. How does cinema mediate sex? Why is sex presented often in transgressive terms? What ideals and values inform its depictions? Given that cinematic representations of sex have perhaps caused more controversy than any others, Sex and the Cinema charts the cultural norms and contestations that are often diversely in play and explores forms and themes such as narrative, incest, romance, sado-masochism and ‘real’ sex. Films discussed include "Don’t Look Now," "Intolerance," "The Blue Angel," "Now, Voyager," "Basic Instinct," "Written on the Wind," "Evil Dead II," "Emmanuelle," "A Taste of Honey," and "The Night Porter."

Cinema Today


Cinema Today


$3.78


A comprehensive survey of the world cinema since 1970 with an accessible and engaging text. Over 700 images reflect the visual cinematic medium, including stills, posters and on-set shots.

Cinema 4D


Cinema 4D


$69.95


Cinema 4D von Maxon hat sich in der Architekturvisualisierung einen wichtigen Platz erobert. Dieses Buch prsentiert jede Menge Tricks, mit denen Sie mehr aus dem Programm herausholen – vom Einrichten des Interface ber die richtige Organsiation Ihrer Projekte, die besten Animationsstrategien, neue Mglichkeiten des Modellierens, Steuerung Ihrer Kameras, optimale Render-Kontrolle, gekonntes GI-Handling, Szenen-Setup mit 2D- und 3D-Vegetation bis hin zur Komposition shaderbasierter Texturen ohne Kacheleffekt. Dabei kommen neue und altbekannte Features wie das neue MoGraph 2-Modul, der berarbeitete Bildmanager, aber auch der Ebenen-Browser, HUD, XRefs, Filter, ein ganzes Arsenal von Shadern und vieles mehr zum Einsatz. Diese Sammlung von Tutorials ist eine echte Fundgrube fr jeden, der im Umgang mit Cinema 4D noch etwas dazulernen mchte.

Lebanese Cinema


Lebanese Cinema


$29


Modern Lebanese cinema can best be explored in the context of the Civil War, in part because almost all the Lebanese films made since its outset in 1975 have been about this war. Lina Khatib takes 1975 Beirut as her starting point, and takes us right through to today for this, the first major book on Lebanese cinema and its links with politics and national identity._x000D_ _x000D_ She examines how Lebanon is imagined in such films as Jocelyn Saab’s ‘Once Upon a Time, Beirut’, Ghassan Salhab’s ‘Terra Incognita’, and Ziad Doueiri’s ‘West Beirut’. In so doing, she re-examines the importance of cinema to the national imagination. Also, and using interviews with the current generation of Lebanese filmmakers, she uncovers how in the Lebanese context cinema can both construct and communicate a national identity and thereby opens up new perspectives on the socio-political role of cinema in the Arab world._x000D_ _x000D_ CONTENTS_x000D_ Introduction: On Lebanese Cinema and National Identity_x000D_ 1 The Lebanese Cinema Industry in Context_x000D_ 2 Religion, Conflict and the Other Within_x000D_ 3 War as a Masculine Arena_x000D_ 4 Women, the Body and the City_x000D_ 5 The Politics of Place, Exile and Belonging_x000D_ 6 History and the Avoidance of History_x000D_ Epilogue: Imagining the Nation – Notes, Bibliography, Filmography,Index_x000D_

Deleuze and Cinema


Deleuze and Cinema


$99.95


Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze’s revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze’s method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema.

Silent Cinema


Silent Cinema


$13.99


Silent cinema was never truly silent as performances were more often than not accompanied by live music and the noise of enthusiastic audiences. Yet silent cinema is regarded as a specific era in the history of the medium, and often as a separate art form in its own right. New York Times -bestselling author Brian J. Robb’s lively resource traces how, from the origins of cinema onwards to the coming of sound in 1929 with The Jazz Singer , many of the ground rules of cinema were laid and filmmaking techniques developed, including editing and special effects, styles of acting, and filming on location. Studying the earliest origins of cinema, including the stars, comedians, and directors who became popular from the late-Victorian era to the end of the 1920s, including D. W. Griffiths, Cecil B. DeMille, and Sergi Eisenstein, this book also includes a look at the Hollywood scandals of the time. The accompanying DVD includes lengthy excerpts from films such as The Perils of Pauline , Phantom of the Opera , Salom , and Son of the Sheik .

Palestinian Cinema


Palestinian Cinema


$99.5


A study of Palestinian cinema and its response to political and social transformations in the Middle East

Tamil Cinema


Tamil Cinema


$49.95


Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It outlines its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. Throughout, the book cogently links the analysis to wider social, political and cultural phenomena in Tamil and Indian society. Overall, it is an exciting and original contribution to an under-studied field, also facilitating a fresh consideration of the existing body of scholarship on Indian cinema.

Childhood and Cinema


Childhood and Cinema


$20


Vicky Lebeau investigates how films use children to probe such themes as sexuality, death, imagination, the terrors of childhood, and hope.

Cinema Entertainment


Cinema Entertainment


$140


Taking Hollywood cinema as its central focus, this book explores the range of debates that the phenomenon of cinema entertainment has aroused. It contains examples from modern, popular films, including a whole chapter on the successful film "The Dark Knight". It is suitable for film and media students.

Cinema Wars


Cinema Wars


$99.95


Cinema Wars explores the intersection of film, politics, and US culture and society through a bold critical analysis of the films, TV shows, and documentaries produced in the early 2000s Offers a thought-provoking depiction of Hollywood film as a contested terrain between conservative and liberal forces Films and documentaries discussed include: Black Hawk Down , The Dark Knight , Star Wars , Syriana, WALL-E , Fahrenheit 9/11 and other Michael Moore documentaries, amongst others Explores how some films in this era supported the Bush-Cheney regime, while others criticized the administration, openly or otherwise Investigates Hollywood’s treatment of a range of hot topics, from terrorism and environmental crisis to the Iraq war and the culture wars of the 2000s Shows how Hollywood film in the 2000s brought to life a vibrant array of social protest and helped create cultural conditions to elect Barack Obama

Existentialist Cinema


Existentialist Cinema


$105


An exploration of the relationship between cinema and existentialism, in terms of their mutual ability to describe the human condition, this book combines analyses of topics in the philosophy of film with an exploration of specific existentialist themes expressed in the films of Fellini, Bergman and Woody Allen, among others.

Cinema Taiwan


Cinema Taiwan


$51.95


Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang Lee and Tsai Ming-liang, Taiwanese film is raising its profile in contemporary cinema. This collection presents an exciting and ambitious foray into the cultural politics of contemporary Taiwan film that goes beyond the auterist mode, the nation-state argument and vestiges of the New Cinema. Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital and local practice, non-fiction and independent filmmaking as emerging modes of address, and new possibilities of forging vibrant film cultures embedded in national (identity) politics, gender/sexuality and community activism. Insightful and challenging, the essays in this collection will attract attention to a globally significant field of cultural production and will appeal to readers from the areas of film studies, cultural studies and Chinese culture and society.

Policing Cinema


Policing Cinema


$31.95


White slave films, dramas documenting sex scandals, filmed prize fights featuring the controversial African-American boxer Jack Johnson, D.W. Griffith’s The Birth of a Nation all became objects of public concern after 1906, when the proliferation of nickelodeons brought moving pictures to a broad mass public. Lee Grieveson draws on extensive original research to examine the controversies over these films and over cinema more generally. He situates these contestations in the context of regulatory concerns about populations and governance in an early-twentieth-century America grappling with the powerful forces of modernity, in particular, immigration, class formation and conflict, and changing gender roles. Tracing the discourses and practices of cultural and political elites and the responses of the nascent film industry, Grieveson reveals how these interactions had profound effects on the shaping of film content, form, and, more fundamentally, the proposed social function of cinema: how cinema should function in society, the uses to which it might be put, and thus what it could or would be. Policing Cinema develops new perspectives for the understanding of censorship and regulation and the complex relations between governance and culture. In this work, Grieveson offers a compelling analysis of the forces that shaped American cinema and its role in society.

Weimar Cinema


Weimar Cinema


$28.99


Taken as a whole, the sixteen remarkable films discussed in this provocative new volume of essays represent the brilliant creativity that flourished in the name of German cinema between the wars. Encompassing early gangster pictures and science fiction, avant-garde and fantasy films, sexual intrigues and love stories, the classics of silent cinema and Germany’s first talkies, each chapter illuminates, among other things: the technological advancements of a given film, its detailed production history, its critical reception over time, and the place it occupies within the larger history of the German studio and of Weimar cinema in general. Readers can revisit the careers of such acclaimed directors as F. W. Murnau, Fritz Lang, and G. W. Pabst and examine the debuts of such international stars as Greta Garbo, Louise Brooks, and Marlene Dietrich. Training a keen eye on Weimer cinema’s unusual richness and formal innovation, this anthology is an essential guide to the revolutionary styles, genres, and aesthetics that continue to fascinate us today.

The Cinema Makers


The Cinema Makers


$20


The Cinema Makers investigates how cinema spectators in south-eastern and central European cities became cinema makers through such practices as squatting in existing cinema spaces, organizing cinema ‘events’, writing about film and making films themselves. Drawing on a corpus of interviews with cinema activists in Germany, Austria and the former Yugoslavia, Anna Schober compares the activities and artistic productions they staged in cities such as Vienna, Cologne, Munich, Berlin, Hamburg, Ljubljana, Belgrade, Novi Sad, Subotica, Zagreb and Sarajevo. The resulting study illuminates the differences and similarities in the development of political culture – and cinema’s role in that development – in European countries with pluralist-democratic, one-party socialist and post-socialist traditions.

Cinema Inferno


Cinema Inferno


$59.99


This is a provocative collection of essays that provide cutting edge, original research in film studies, discussing a number of ‘transgressive’ films that have never before had such in-depth analysis and treatment. From ’70s Italian horror films and extreme European cinema to Nazi propaganda films and fundamentalist Christian ‘scare’ movies, these essays explore many different genres and themes.

Turkish Cinema


Turkish Cinema


$35


Films often act as a prism that refracts the issues facing a nation, and Turkish cinema in particular serves to encapsulate the cultural and social turmoil of modern-day Turkey. Acclaimed film scholar Gönül Dönmez-Colin examines here the way that national cinema reveals the Turkish quest for a modern identity. Marked by continually shifting ethnic demographics, politics, and geographic borders, Turkish society struggles to reconcile modern attitudes with traditional morals and centuries-old customs. Dönmez-Colin examines how contemporary Turkish filmmakers address this struggle in their cinematic works, positing that their films revolve around ideas of migration and exile, and give voice to previously subsumed “denied identities” such as that of the Kurds. Turkish Cinema also crucially examines how these films confront taboo subjects such as homosexuality, incest, and honor killings, issues that have only become viable subjects of discussion in the new generation of Turkish citizens. A deftly written and thought-provoking study, Turkish Cinema will be invaluable for scholars of Middle East studies and cinephiles alike.  

Saving Cinema


Saving Cinema


$20.99


The importance of media preservation has in recent years achieved much broader public recognition. From the vaults of Hollywood and the halls of Congress to the cash-strapped museums of developing nations, people are working to safeguard film from physical harm. But the forces at work aren't just physical. The endeavor is also inherently political. What gets saved and why? What remains ignored? Who makes these decisions, and what criteria do they use? Saving Cinema narrates the development of the preservation movement and lays bare the factors that have influenced its direction. Archivists do more than preserve movie history; they actively produce and codify cinematic heritage. At the same time, digital technologies have produced an entirely new reality, one that resists the material, artifact-driven approach that is the gold standard of preservation in the Western world. As it has become increasingly easy to capture and access moving images, increasing evidence of something many archivists have known for years has emerged: industrial and training films, amateur travel diaries, and even family videos are critical public resources. It has also raised question about the role of the profession. Is access equivalent to preservation, and, if it is, how should archivists alter their activities? The time is ripe for a reconsideration of the politics and practices of preservation. Saving Cinema is the book to guide that conversation.

Chronicle of the Cinema


Chronicle of the Cinema


$3.95


"This lavish encyclopedia — crammed with movie posters and stills — will do more than save you from those excruciating ‘what was it called?’ moments: It will also provide you with a fun read". –Entertainment Weekly

Cinema Equipment


Cinema Equipment


$29.99


Cinema Equipment – Photographic Print

Television Cinema


Television Cinema


$49.99


Television Cinema – Giclee Print

Cinema and the City


Cinema and the City


$42.59


This book brings together the literature of urban sociology and film studies to explore new analytical and theoretical approaches to the relationship between cinema and the city, and to show how these impact on the realities of life in urban societies.

The Language of Cinema


The Language of Cinema


$7.73


At the time of its birth just over a century ago, the cinema was greeted as a kind of universal language. But this new universal language soon developed a special language of its own, a professional jargon made up of words borrowed from the theatre, the factory and the laboratory, plundered from other arts and other nations or coined in the heat and hurry of film-making. "The Language of Cinema" provides a fascinating set of paths into this rich vocabulary, sampling some 2,000 of the most important words associated with the technology, business and skills of film-making, from the auteur theory to Z-movies. Informative for the non-specialist film buff or the mere film goer, "The Language of Cinema" is essential reading for anyone interested in how moving pictures has changed the way we speak.

Cinema Classics


Cinema Classics


$19.95


“(Arranged for Intermediate Piano Solo). By Various. For Piano/Keyboard. Music Sales America. Film and TV, Classical. Softcover. 64 pages. Chester Music #CH61429. Published by Chester Music”

Cinema Tycoon


Cinema Tycoon


$19.99


“Do you have what it takes to become a Cinema Tycoon? Find out in this exciting new simulation where you select the movies, buy upgrades, and hype your Cinema to become the next Mega-Plex! Choose the next big Hit to bring people in, avoid the Flops, and never underestimate the competition! Don’t forget to balance your costs, prices, and ticket sales! You’ll enjoy gorgeous graphics along with superb animation and sound.”

The Rex Cinema


The Rex Cinema


$89.99


The Rex Cinema Premium Photographic Print by . Product size approximately 12 x 16 inches. Available at Art.com. Embrace your Space – your source for high quality fine art posters and prints.



 3-D Revolution: The History of Modern Stereoscopic Cinema


3-D Revolution: The History of Modern Stereoscopic Cinema


$20.01


Used – In 2009, Avatar, a 3-D movie directed by James Cameron, became the most successful motion picture of all time, a technological breakthrough that has grossed more than $2.5 billion worldwide. Its seamless computer-generated imagery and live action stereo photography effectively defined the importance of 3-D to the future of cinema, as well as all other currently evolving digital displays. Though stereoscopic cinema began in the early nineteenth century and exploded in the 1950s in Hollywoo

 3-D Revolution: The History of Modern Stereoscopic Cinema


3-D Revolution: The History of Modern Stereoscopic Cinema


$28.43


New – In 2009, Avatar, a 3-D movie directed by James Cameron, became the most successful motion picture of all time, a technological breakthrough that has grossed more than $2.5 billion worldwide. Its seamless computer-generated imagery and live action stereo photography effectively defined the importance of 3-D to the future of cinema, as well as all other currently evolving digital displays. Though stereoscopic cinema began in the early nineteenth century and exploded in the 1950s in Hollywood

 3D Movie Making: Stereoscopic Digital Cinema from Script to Screen


3D Movie Making: Stereoscopic Digital Cinema from Script to Screen


$49.95


Hollywood is going 3D! Join the revolution with this primer to all of the essential skills for live action 3D, from preproduction through distribution.3D perception and science is presented in an accessible way that provides the principles of Stereoscopic vision you need to make the transition from the 2D world. Tools of the trade are enumerated with an eye on current constraints and what is coming down the pike to smooth the way. Step-by-step instructions detail how 3D processes affect every stage of the production including screenwriting, art direction, principle photography, editing, visual effects and distribution.The companion DVD includes an array of 2D and 3D images that demonstrate concepts and techniques, 3D movie shorts that showcase alternative techniques, After Effects project files to explore and manipulate for effect, and a resource list of software tools and tutorials that demonstrate techniques.The DVD is not included with the E-book. Please contact the publisher for access to the DVD content by emailing d.mcgonagle@elsevier.com.

 3D Movie Making: Stereoscopic Digital Cinema from Script to Screen


3D Movie Making: Stereoscopic Digital Cinema from Script to Screen


$49.95


Hollywood is going 3D! Join the revolution with this primer to all of the essential skills for live action 3D, from preproduction through distribution.3D perception and science is presented in an accessible way that provides the principles of Stereoscopic vision you need to make the transition from the 2D world. Tools of the trade are enumerated with an eye on current constraints and what is coming down the pike to smooth the way. Step-by-step instructions detail how 3D processes affect every stage of the production including screenwriting, art direction, principle photography, editing, visual effects and distribution.The companion DVD includes an array of 2D and 3D images that demonstrate concepts and techniques, 3D movie shorts that showcase alternative techniques, After Effects project files to explore and manipulate for effect, and a resource list of software tools and tutorials that demonstrate techniques.The DVD is not included with the E-book. Please contact the publisher for access to the DVD content by emailing d.mcgonagle@elsevier.com.

 3ft High Speed HDMI Cable with Ethernet - for Ethernet 3D - 2160p - 1080p - Blu-Ray - PS3 - XBox 360


3ft High Speed HDMI Cable with Ethernet – for Ethernet 3D – 2160p – 1080p – Blu-Ray – PS3 – XBox 360


$3.85


High Speed HDMI with Ethernet specification (Version 1.4) is the newest HDMI Standard published recently by the HDMI org. HDMI Ethernet Channel: Adds high speed networking to an HDMI link, allowing users to take full advantage of their IP enable device without a separate Ethernet cable. Audio Return Channel: Allows an HDMI connected TV with a built in tuner to send audio data upstream to a surround audio system. 3D Over HDMI: Defines input / output protocols for major 3D video formats, playing the way for true 3D gaming and 3D home theater applications. 4K x 2K Video Support: Enables video resolutions far beyond 1080p, supporting next- generation display that will rival the next digital cinema system used in many commercial movie theaters. Additional Color Spaces: Adds supports for additional color models used in digital photography and computer graphics. NOTE: Even though HDMI cables support Hot Plug Detection, improper usage might result in resetting / restarting both devices, or even may cause damage to the devices. Therefore, we do not suggest Hot Plug action for any HDMI cables. Please make sure both input and output devices are off when plugging or unplugging HDMI cables.

 6 FT Premium GOLD Series HDMI High Speed HDMI Cable w/ Ethernet, 3-D, 4Kx2K


6 FT Premium GOLD Series HDMI High Speed HDMI Cable w/ Ethernet, 3-D, 4Kx2K


$4.28


High Speed HDMI with Ethernet specification (Version 1.4) is the newest HDMI Standard published recently by the HDMI org. HDMI Ethernet Channel: Adds high speed networking to an HDMI link, allowing users to take full advantage of their IP enable device without a separate Ethernet cable. Audio Return Channel: Allows an HDMI connected TV with a built in tuner to send audio data upstream to a surround audio system. 3D Over HDMI: Defines input / output protocols for major 3D video formats, playing the way for true 3D gaming and 3D home theater applications. 4K x 2K Video Support: Enables video resolutions far beyond 1080p, supporting next- generation display that will rival the next digital cinema system used in many commercial movie theaters. Additional Color Spaces: Adds supports for additional color models used in digital photography and computer graphics.

 6ft High Speed HDMI Cable with Ethernet - for Ethernet 3D - 2160p - 1080p - Blu-Ray - PS3 - XBox 360


6ft High Speed HDMI Cable with Ethernet – for Ethernet 3D – 2160p – 1080p – Blu-Ray – PS3 – XBox 360


$4.42


High Speed HDMI with Ethernet specification (Version 1.4) is the newest HDMI Standard published recently by the HDMI org. HDMI Ethernet Channel: Adds high speed networking to an HDMI link, allowing users to take full advantage of their IP enable device without a separate Ethernet cable. Audio Return Channel: Allows an HDMI connected TV with a built in tuner to send audio data upstream to a surround audio system. 3D Over HDMI: Defines input / output protocols for major 3D video formats, playing the way for true 3D gaming and 3D home theater applications. 4K x 2K Video Support: Enables video resolutions far beyond 1080p, supporting next- generation display that will rival the next digital cinema system used in many commercial movie theaters. Additional Color Spaces: Adds supports for additional color models used in digital photography and computer graphics.

 A Framework for Learning Photographic Composition Preferences from Gameplay Data.


A Framework for Learning Photographic Composition Preferences from Gameplay Data.


$76.54


New – The automatic evaluation of images in computational cinema and photography is a challenging problem. There are neither comprehensive rules nor adequate training data to develop an expert system. This thesis presents the design and implementation of a computer game for synthesizing image data, and an experimental framework for learning photographic composition preferences from online ratings. The first topic addressed is the development of Panorama, a computer game for photographic composit

 A Framework for Learning Photographic Composition Preferences from Gameplay Data.


A Framework for Learning Photographic Composition Preferences from Gameplay Data.


$76.54


Used – The automatic evaluation of images in computational cinema and photography is a challenging problem. There are neither comprehensive rules nor adequate training data to develop an expert system. This thesis presents the design and implementation of a computer game for synthesizing image data, and an experimental framework for learning photographic composition preferences from online ratings. The first topic addressed is the development of Panorama, a computer game for photographic composi

 A History of Pre-Cinema


A History of Pre-Cinema


$1559.12


Used – This set collects together for the first time rare and scattered material on the history of pre-cinema. It includes articles on stereoscopic photography; the use of kaleidoscopes; optical illusions; theatre design; magic lanterns and mirrors; shadow theatre, and much more. The articles are taken from sources such as The Magazine of Science, The Art Journal, The British Journal of Photography, Scientific American, American Journal of Science and Arts, and The Mirror.

 A History of Pre-Cinema


A History of Pre-Cinema


$1559.12


New – This set reprints together for the first time rare and essential material on the history of pre-cinema.Volume 1: Olive Cook, Movement in Two Dimensions [1963]. Volume 2 features the first facsimile reprinting of the often-overlooked “British Journal of” “Photography.” Volume 3 is comprised of a selection of articles originally published between 1827-1861.

 Age of Gold: Surrealist Cinema


Age of Gold: Surrealist Cinema


$130.72


The films that came out of the Surrealist movement. Spiralling out of the Surrealist movement alongiside the art, photography and manifestos, were a number of experimental films, notably Salvador Dali and Luis Bunuel’s Un Chien Andalou and L’Age d’Or. The Age of Gold revisits these two seminal films and explores their making, themes and images, the scandal and riots that accompaied their release, and their impact and influence on modern-day cinema. Fully illustrated throughout, The Age of Gold also documents the cinematic theories of Antonin Artaud and traces the parallels in avant-garde and Dadist film–including the work of Hans Richter, Marcel Duchamp and Man Ray.

 Aleksandr Rodchenko: Experiments for the Future


Aleksandr Rodchenko: Experiments for the Future


$13.94


Used – This book contains all of the diaries, programs, essays, and major articles written by Alexander Rodchenko between 1911 and 1956. The word “experiment” was a keyword for the artist, who conceived of his multimedia oeuvre as one huge experiment. Referred to by his friends and contemporaries as “a scout of the future.” Rodchenko sought new paths in graphic design and painting, sculpture and architecture, poster design and cinema, photography and book design, and furniture and theatre design

 Alexander Rodchenko: The Experiments for the Future


Alexander Rodchenko: The Experiments for the Future


$165.95


This book contains all of the diaries, programs, essays, and major articles written by Alexander Rodchenko between 1911 and 1956. The word experiment was a keyword for the artist, who conceived of his multimedia oeuvre as one huge experiment. Referred to by his friends and contemporaries as a scout of the future. Rodchenko sought new paths in graphic design and painting, sculpture and architecture, poster design and cinema, photography and book design, and furniture and theatre design. The first chapter in this volume covers the early life of Rodchenko and relates to the time of his studies in the Kazan art school. His diaries from 1911-15 relate the vivid atmosphere of the school, explain the artist’s early tastes for theatrical, oriental and medieval motifs, and recall the moments when he first met Varvara Stepanova, his lifetime partner and fellow artist. The second chapter covers the most active years of the Russian avant-garde movement: 1916-21. Here Rodchenko is linked to Vladimir Tatlin and his evolution as a non-objective painter comes about. His writings from this period explore his interest in the artistic process, in the way ideas are born, and often make comparisons with other artistic trends of the time: suprematism, cubism, and impressionism. The third chapter runs through the 20th and the height of the constructivist movement, when Rodchenko became one of the leading designers of the time. This chapter is the most comprehensive, featuring writings dedicated to industrial design education, graphic design, advertising, photomontage and photography. The fourth chapter reveals the artist’s mood and the general Soviet culture situation of the 30s, a time of politicalchange, accusations of formalism, and great success in photography. The last chapter is dedicated to the war and postwar period and contains only diary texts in which the artist recounts his family’s evacuation to the country, his subsequent hard living and working conditions, as well as hi

 All about Bond


All about Bond


$39.95


<P>This autumn James Bond celebrates his 50th anniversary as a celluloid hero. The release of the latest 007 movie, Skyfall, will be the 24th movie starring the fictional secret service agent and ‘All About Bond’ is a unique memoir that will delight, amuse and inform Bond fans the world over.<P>’All About Bond’ is packed with surprises, insights and candid memories, both personal and photographic from legendary names who cut their teeth and carved out careers in some of the most memorable scenes in movie history.<P>The humor, the drama and the camaraderie, on set and off, is captured through the immortal lens of one of the world’s most legendary photographers. Bond girls from Honor Blackman and Shirley Eaton to Britt Ekland and Joanna Lumley recall their thrills and spills filming cinema’s most enduring and alluring sex symbols; and the man – and men – who made Bond, share the facts and the fictions behind the creation of cinema’s foremost superhero.

 American Visual Culture


American Visual Culture


$29.95


Visual culture – art, advertising, architecture, cinema, television, cartography, video, the internet, and images of science – has shaped American national identity more than that of any other country. Covering the period from the late nineteenth century to the present day, the book explores how visual culture has at once transformed and consolidated the image of the United States. American Visual Culture presents both an analysis of the diversity of American visual media and a critical introduction to the study and interpretation of visual culture. Thematic chapters – on American urban and rural landscapes, icons, popular culture, art and photography, as well as on crime, anxiety and sex – describe the cultural, intellectual and historical context. Throughout, these themes are discussed in conjunction with clear and concise explanations of key visual theories and methodologies.

 American Visual Culture


American Visual Culture


$110.57


Visual culture–art, advertising, architecture, cinema, television, cartography, video, the internet and images of science–has shaped American national identity more than any other country. Covering the period from the late nineteenth century to the present day, the book explores how visual culture has at once transformed and consolidated the image of the United States. American Visual Culture presents both an analysis of the diversity of American visual media and a critical introduction to the study and interpretation of visual culture. Thematic chapters–on American urban and rural landscapes, icons, popular culture, art and photography, as well as on crime, anxiety and sex– introduce the cultural, intellectual and historical context. Throughout, these themes are discussed in conjunction with clear and concise explanations of key visual theories and methodologies.

 An Aesthetics of Law and Culture: Texts, Images, Screens


An Aesthetics of Law and Culture: Texts, Images, Screens


$78.14


New – This special volume of Studies in Law, Politics, and Society – The Aesthetics of Law and Culture: texts, images, screens – examines practices of representation and their relation to juridical and cultural formations. The chapters range across the media of speech and writing, word and image, legislation and judgment, literature, cinema and photography. The contributions draw on disciplines including jurisprudence, literary criticism, philosophy, cinema studies, art and visual studies, carto

 An Aesthetics of Law and Culture: Texts, Images, Screens


An Aesthetics of Law and Culture: Texts, Images, Screens


$78.14


Used – This special volume of Studies in Law, Politics, and Society – The Aesthetics of Law and Culture: texts, images, screens – examines practices of representation and their relation to juridical and cultural formations. The chapters range across the media of speech and writing, word and image, legislation and judgment, literature, cinema and photography. The contributions draw on disciplines including jurisprudence, literary criticism, philosophy, cinema studies, art and visual studies, cart

 An Aesthetics of Law and Culture: Texts, Images, Screens: Special Volume


An Aesthetics of Law and Culture: Texts, Images, Screens: Special Volume


$127.65


This special volume of Studies in Law, Politics, and Society – The Aesthetics of Law and Culture: Texts, Images, Screens – examines practices of representation and their relation to juridical and cultural formations. The chapters range across the media of speech and writing, word and image, legislation and judgment, literature, cinema and photography. The contributions draw on disciplines including jurisprudence, literary criticism, philosophy, cinema studies, art and visual studies, cartography, historiography and medicine. They are ordered according to four prominent themes in contemporary, theoretically informed critical scholarship: Crime Scenes: Sexuality and Representation; Sites Unsaid: Testimony, Image, Genre; (Post) Colonial Appropriations; and Screen Culture: Sovereignty, Cinema and Law.

WordPress Themes

Subscribe to our Newsletter